Oh. . . pretty Modigliani girl. . . I might post you while I can. We're bound to be banished one day soon. The definition of pornography is likely to become very, very broad. Nudity, certainly. Photographs of people. . . possible. Photography is a crime unless it is used by the government or network sports. Well. . . men's sports. Reporters and cameras are allowed into NFL dressing rooms, but holy harry motherfucker. . . there are things that should remain sacred.
Let's talk about beauty for a minute. It is a controversial subject, especially in The Time of Identity Politics.
It probably should be, and I probably shouldn't take the photos I do, no matter how willing or unwilling the subject, but I've yet to be handed the tablets of stone that so many of you believe you have seen, so the morality of the cosmos is still a question for me. You know more than I do about such things. I'm a bit of a Nihilist, they say.
But here's the deal. Go to a waiting room. Any waiting room. It doesn't matter if it is a doctor's office, a tag office, or a jury pool. Any will do. Look around the room. It is incredible. The aesthetic is something to be avoided. I sat in the waiting room of the big orthopedic group yesterday. Tight jeans that accentuate ill-shaped legs all the way from the flat or flabby bottoms to the tiny little ankles. Bubble guts and old tennis shoes. Cheap flannel shirts with questionable patterns. The obscenity of leggings. There is no place for the eye to rest. Braided eye lashes and hideous nails and blueberry lipstick.
Oh. . . you can call them beautiful. I'm not talking about that inner beauty of people so sweet and loving you never want to leave their presence. Nope. I'm speaking strictly surface. Sure. . . part of it is $$$. I mean, a man or women wearing decent clothing can stand out in a crowd like this.
And don't worry. . . I'm including myself in that schlub crowd. I wasn't a standout except that when I signed in on the computer for my mother, I thought they wanted MY picture. I pushed the button. The photo was hideous, or I was, but I thought what the hell, it is just for the doctor's file. It, however, caused quite a stir and some confusion. So the doctor said when he came in with his assistant.
"Oh. . . I was wondering. . . the picture didn't seem to match the name and data."
I guess they don't get so many patients who are transitioning there. But yea, my photo on my mother's chart had half the staff in tears.
Glad I could brighten their day.
When the doc saw my mother, he put up the Xrays and gave her two options. She could have surgery which would require an incision "here" and a plate and some screws to hold the bone in place. Or she could keep the wrist in a cast. The arm would not look perfect. The bend of the hand might be off, but studies show that after a year, there is little difference in the functionality between the two options.
My mother took door #1--the cast. So they took off the old one and put on a smaller cast that lets her fingers free. Looks like I'll be staying at mother's for a good while longer. Her reasoning?
"I'm 93 years old."
After making her lunch, I was tired. So was she. We both lay down for naps. But she was up much sooner than I, and eventually she woke me up with her banging around in the kitchen. It was two-thirty. I needed to go home and pick up a package that had been delivered, and I needed to go to the grocers. But first, I wanted a latte at the cafe. The day was a copy of the day before, cold and damp and gray, the kind of day that calls for hot roast beef sandwiches "au juice", steaming French onion soup, or a good beef bourguignon. One of the last trips I made with Ili was to Paris in October. Much of the time the weather was cold, damp, and grey. One afternoon, we went to the Musee d'Orsay but hadn't made reservations online. The line was long and we realized we might stand there in the cold and never get in, so we hopped across the street to a little cafe where we sat outside under a canopy and electric heaters. We ordered two beef bourguignons. When a couple came and sat at the table next to us, they asked what we were eating. They ordered it as well. Another couple came and ordered the same. The waitress laughed and said that was the end of the bourguignon, that we had started a trend. It is a nice memory of which one wishes to be able to say, "Remember that day at the cafe when we couldn't get into the d'Orsay?"
Selavy.
The tall girl with the tats was working. She had her back to me speaking to a big, heavyset fellow with a typically scruffy beard. They were talking about some event he was going to that she would miss. When he left, she turned around in my direction.
Blankly, "What can I get you?"
"A latte." I felt it was a joke. I wouldn't order the cafe con leche from her.
"Love you," she yelled loudly.
"Love you, too," I chuckled softly.
"I wasn't talking to you."
"Oh. . . huh."
"That's embarrassing for you," she said like a high school mean girl."
"Do you think?"
There was a table to sit not too near to anyone, so I took a chance and sat inside. The cafe made me think of waiting rooms. The cold air outside and the grayness and the dampness seemed to have subdued the crowd. They spoke in lowered voices, in quieter tones, huddled in sweaters and sweatshirts, long pants and scarfs. A girl by the window in a corner of the room sat pensively, raven hair and charcoaled eyes, a subtle bruised red lipstick highlighting her lips. She wore a black faux-leather jacket mock NYC style. When she turned and looked my way, I saw her face was pie shaped and diffident. She had a haughty if somewhat insecure stare. She and her ilk are why I like this dumpy little cafe with its dim lighting, wobbly tables, and dingy interior. It is not a typical "slice of life." Humanity, writ large, is hideous. By and large, people are ugly, pure and simple. Only here and there does someone attractive appear. The eye alights on beauty in relief.
Brando used to say that heels could never be too high or lips too red. He believed in the artifice. And to some extent, I know what he meant. That is why I like the cafe. It is a waiting room of artifice and freaks. The girl in the corner drew the eye. It is what she wanted to do. It was purposeful. In a world of schlock, there was the girl with the raven hair, the bruised red lips, and the charcoaled eyes.
I know, I know. . . forgive me for I have sinned.
I got a message today from a woman who wants to know if I would like to make pictures of her. She has a most wonderful portfolio, intimidating, really. She has modeled all over the world for the past ten years and has shot with some incredibly talented commercial photographers. She is Polish and often has the visage of a Nicole Kidman, tall and thin. She has posted videos, and I loved watching her move. She doesn't really want me to photograph her, of course. It is just part of the hustle. She'd want money. As I looked through her ten year portfolio, though still quite gorgeous, I could see the road. I could see the miles. And if I were to shoot with her, that is what I'd want to do, make a document of the end of a modeling career. I thought through the idea for quite awhile.
We will not make that project, I am certain, of the fading beauty.
My mother was a true beauty in her time. The mileage and the years.
But, of course, I speak only of external things. Some who are beautiful to look at have the most hideous interiors I know, and vice versa. I am not speaking of the soul or the spirit. Merely surface things, things by which I am fascinated. I am fascinated by the hideous, too, but am also repulsed.
David Lynch died. Everyone knows by now.
The famed director was a unique figure in U.S. cultural history: a purebred, corn-fed all-American surrealist and a man who insisted that below our manicured lawns and behind our tidy housefronts lay incomprehensible urges and unholy evil.
I saw "Eraserhead" when it came out and was wounded by that, then "The Elephant Man." It took me about a year to get over that one. I identified so very much with the man whose internal beauty was betrayed by the hideous exterior. Lynch knew he'd hit a nerve with that.
Maybe it is only my hideous imperfections that draw my eye to what I am not. Who knows?
"Tell me, Dr. Freud."
I certainly would like to shoot with her, though. I'd like to make a photo essay of all I see at the cafe.
If you'd like to see me photograph the Polish girl, I'll set up a Go Fund Me page. You can have exclusive access.
I caught grief about the YouTube audio with the attractive girl singer pictured on the album cover. Of course, she is made over, airbrushed and blurred. A photograph can do that. But she seems in keeping with today's theme, and the music is so very much what I listen to with mother in the evenings while I cook. Last night's meal was hearty against the cold, stew beef over rice with stewed tomatoes and a side of asparagus. It was as close as I was going to get to making that beef bourguignon.