"Slow down, buddy. . . still that beating heart. Don't rush it. Take your time. You'll run out of gas too soon. Be in it for the long haul,"
Things that excite me excite me. I'm like a kid. O.K. But as the song goes, "You'd better slow down. Baby now you're moving way too fast."
So I'd better start with the bad.
"Shit piss fuck goddamn."
My mother doesn't like me saying that, but I think it's funny. In the last summer before my last year of undergrad studies, my roommate and I got a job working at the Coca-Cola bottling plant. Our foreman was named Adrien, and boy oh boy could that guy string a lot of curse words together without repeating one. It was his only endearing quality. We used to try, my roommate and I, but we could never get more than five or six out before we stalled or repeated. We didn't like Adrien and he didn't like us, but I'll guarantee you that I remember him and he has never thought of me since I quit.
But that is another story for a day when I haven't anything else on my mind.
Yesterday I left my mother's house at a good time, around ten, and was on the street where I had run out of film the day before making pictures. And oh, what pictures they were. I was in the zone. And when I had finished up with that little strip of road, I drove down another mile, perhaps, to another little shopping zone, parked the car, and began again. I never go to this little shopping strip, and I was surprised by the cool shops that are there, including tiny places for coffee and food. It was a mini-magical place, the kind I stumble upon once in a great while. Not many people around, and man, I was quite the shutterbug. I blew through two rolls of film just-like-that!
And I was feeling pretty stupid for not bringing more. I never thought I would take 72 photos in less than an hour. I needed film. I could go home and get more or I could take my roll of color film to the lab in another hipster part of town and buy more. I was in the Xterra, and I needed to drive it, so hipster city it was.
I paid to have the color film developed and scanned the same day. Ouch.
Then I decided to drive to Gotham and walk those derelict streets. Two cameras and a camera bag. But you see me in that photo--hair all shorn, hat on backwards the way all short-haired redneck cowboys wear them, trad/norm to the core. Old Quasimodo trying to pass.
I walked a long time and was popping off what I was sure were classic photos. Bam! Bam! Bam! No peeping, just thinking and shooting.
I saw a bar door open. It's window looked out upon the street. I walked in to see what it would look like to photograph there. A fellow greeted me at the door.
"We won't be open for ten minutes," he said.
"O.K. I just wanted to see what it looked like through your window," I said holding up one camera.
"O.K. but you'll have to come back in ten minutes. I can't let you be here before we open."
"O.K."
He was alright, not shitty in any way. I walked next door to another open door and another bar. This one looked different, kind of classy. A big girl dressed like--I don't know what--low cut blouse, high cut shorts, garters, piercings and heavy makeup. . . . She was pushing 200 pounds, I'd guess. I was shooting one of the windows and when I turned around we almost bumped.
"Oh, I'm sorry," she said.
"No, no. . . totally me. Do you work here?"
"Yes," she said, her eyes alight. She was really sweet, soft spoken. I think she liked me.
"Do you mind if I go in for a minute?"
"No," she said.
"I just want to look through your window to see. . ." I said holding up a camera. I walked into a little cubby. When I came back, she askedm "How was it?"
"Not much, really." I looked at the deep, dark bar, all the seats lined up perfectly, as yet undisturbed. "Do you mind if I take some pictures in here?"
"Go ahead."
I shot a couple, and said, "Thanks." She was staring at me, smiling.
I'll come back to that later.
Onward. No kidding, I was smoking hot. I was making masterpieces. But time marched on, and having walked miles and miles, I was getting tired. My hips and knees and back were killing me. I was waddling, walking side to side oh so slowly. I only had a few shots left, so I turned back toward that car. It was hot. The rain I was out to beat never came, but the humidity had, and I was sweating like the fat cripple I am. I was beginning to smell like old pizza.
Two big cameras and a camera bag with lenses had done me in. I'm not the fellow I used to be.
Then there it was like an oasis. I fairly crawled into the Xterra. But man. . . what I had done was going to be amazing.
I drove back to the hipster camera shop and dropped off more film. Paid again for expedited service. I needed a beer, so I stopped at the liquor store on the way home. It was across the street from the Cafe Strange, and I thought about going in and having the beer there. My cafe au lait friend would be working, but I was far too beat. Rather, I bought a six pack of Grolsch and drove home.
"Grolsch?!"
I hadn't had one in years. It sounded good.
When I got in the house, I dropped my cameras and bag, opened a beer, and started a hot Epsom Salts bath. I was stiff and sore and tired.
It was a good combo. I lay there for a long time thinking of the day. I thought of the big girl who let me into the bar. Yes, she was sweet as apple butter, and I thought, hey stupid, she wanted you to ask if you could take her picture. Yes, I was certain of it. I was a fool. She would have done anything. Eyes closed, surrounded by hot water, wait, what? I was becoming. . . aroused.
WTF?
I drained the tub, showered, dried, and sat in a chair where I fell asleep immediately. What dreams I had I'll never tell.
When I woke, I thought, "I'll go back and take her picture."
I had three rolls of black and white film to develop from the last two day's shoot. I could do two of them together. But I was lazy. They could wait. I looked at the clock. 3:30.
"Alright, alright, I'll do them now."
It took some doing. I went to the study/bedroom and started locating things. I had fixer in a bottle I'd mixed up when I developed the 4x5 film. It should be good. I had developer, too, but I didn't trust it. I found the bottle of HC-110 syrup and the beakers and funnels and plastic measuring cups, found the two reel developing tank and film spools. But where was the little film puller tool to get the film leader out of the cannister? Five minutes later, I found it. I cleared the dining room table, putting everything on the floor, and got the big changing tent set up there. Scissors. O.K.
I had trouble putting the second roll of bw film on the spool. It just wasn't going on right. I tried and tried, taking the film off and putting it back on. Three times. Four. Five--fuck it.
I took the film to the sink. Rinse. Develop. Rinse. Fix. Rinse, rinse, rinse. My back and knees and hips were barking.
After the final rinse, I took the film to hang and dry.
What do you think? Yup. A lot of fucked up film. I opened another beer.
I went to my computer to check and see if the film lab had sent the scans yet. O.K. The first roll. This would be wonderful.
Jesus Joseph and Mary--shit piss fuck goddamn!!!!!! Where the hell is a pistol? A rope? Something.
I'd picked up a roll of film sitting on a stand with many other rolls of film. This one wasn't in a plastic canister, but it still had the film leader out. It was an old roll of film I'd shot and never developed. The scans I got back were all double exposures. All my masterpieces!!!
"Photography should just be fun."
I remember saying that. Yesterday.
I still had to go to the grocers to get the makings of a pho dinner. I could barely walk across the parking lot. I grabbed a cart for a walker.
Back at mom's, she was in her usual place in the garage. I moaned and groaned getting out of the little Toyota Corolla.
"I'll be right back," I told her, and I took the groceries to the kitchen. I made a Campari, came back out, and slumped into a chair.
"How was your day?"
"I hurt all over," I said. "I don't think I want to make dinner. I'm beat. I'll just open a can of soup and we can eat the rotisserie chicken I bought. Is that O.K.?"
"I'm not even hungry."
Dinner was lousy. Afterwards, we watched a YouTube history piece on Key West. I drank a scotch.
Before bed, I checked my email. The scans from the second roll were there. Yea, yea, yea. I'd lost hope. Wearily, I opened the files.
"Be still my beating heart!!!"
Yes, yes, yes. . . they were what I thought. Not all of them, of course, but yes, they all were what I hoped for. Right then, I considered buying a $500 film developing machine that would let me do everything at home. I have maybe fifty or more old rolls of film, now "expired" film, that I plan on shooting up. How many rolls would it take to make the machine worthwhile? Then I went online and ordered a bunch of Kodak Portra 400 film.
I am mad, perhaps. Something in my brain might be broken. How long will it take for me to tire of shooting film? How long before I want to shoot digital again? But this machine, by all reviews, is the real deal. It works like a charm.
I'll think more about this later today in my most rational hours. But I am pretty sure I am going to make the mistake and buy it. Just for the fun of it. Photography should be fun, right?
Oh, but there is this. I have film hanging that needs to be scanned. Scanning film is a drag. Scanning fifty to a hundred rolls. . . and then sleeving them, putting them into binders. . . where in the hell will I store them?
The scans they sent me are small. I didn't want to pay for the bigger ones. But I got excited. You may not be, but this is it. This is what I'm going to do for awhile.
"What? Fuck up three out of four rolls of film? Ha! Good luck to you."
I know. Like I said, I think I have a tick in my brain.
"Tick? Tic?"
I don't know. But I think I'll go back downtown. I think there is a girl there who likes me,





















