ARRRRGGGGG!!!!!
I knew it would happen! I knew it.
I went to the gym tonight, but when I got to the parking lot, I just sat. I thought about the encaustic piece sitting in the studio waiting to be worked on, so I turned around and headed uptown. The piece sat on a table looking terrific.
"Don't fuck it up," I was saying to myself silently over and over. I knew the chances.
So I took it down and plugged in the hot plate and got the wax going.
"Small strokes. Just a thin layer. Delicately. Then heat it, but not too much. If it melts, it will ruin the transfer."
"Not too much," I knew was the problem. So I waxed it again as best I could, and it looked like shit to me. It was rough. Too rough. I needed a finer brush, and I knew it. When I left the gym, I went to the hardware store to get an expensive natural bristle brush. But it was too late. They were closed.
"Not too much," I said as I pulled the torch flame across the surface of the picture. "Too much is bad."
But what does that mean? Too much? What is too much?
You only know after.
I was doing fine. Really. . . I was. Then the wax in one area melted and puddled. The print turned all kinds of sideways. It was over. It was done.
I was cursing like a veteran. Every word I knew.
"Shit, fuck, piss, cunt, screw, shit, motherfucker, goddamn, sonofabitch, pecker."
I threw the "pecker" in there just for luck. But there was no magic. There was no "bringing it back." I had fucked it up, and that was it.
I lay on my back on the long loading dock where I worked. I lay there seeing nothing. I just needed a little Zen.
Then my neighbor came over, the encaustic artist, the one I was looking for BEFORE I put the torch to the wax. I had knocked on his door but I did not get an answer. I was blaming him.
I showed him the work.
"Look! I fucked it up" (you could have prevented this, I was thinking).
"Awww."
He held the piece at angles to the light.
"It still looks good," he said.
"Fuck you," is what I thought. But I didn't say it. Rather, I said, "It is ruined."
Then he took the torch and showed me what he had learned by making a thousand encaustic pieces. I would learn, too.
"It is just practice," I said. "We do best what we do most, no?"
And so, before I left, I did another test piece. No reason to be defeated. I didn't get it on the first try. A hundred tries from now, it will work most every time.
But hold your orders. Soon. You can have your own very soon.
but that IS the artistic experience...
ReplyDeleteNot the one I'm looking for.
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